Inspirational Leader

There is a person I know who is from Zimbabwe. He is one of the most positive, generous and intuitive young men I have had the pleasure of knowing. Stories of his life growing up in a country which has seen apartheid, oppression and corruption can leave the hairs standing up on the back of your neck but this guy has an almost cie la vie attitude when talking of it, his philosophy in his words “Whatever you cause another to experience, you will one day experience. What you fail to do for another, you fail to do for you. What is good for another is good for you, and what is bad for another is bad for you.

While at the Gold Coast Art School I listen, watch and appreciate his contribution to our world reminding of those things that are important, – Friends, Family, Empathy and Understanding. We often hear him say, “If you want it, go for it, work for it, do it.” It would have been easy for him to sit back and say, “Poor me, what if?” Many would accept that sentiment as acceptable, but our young man is a leader and leaders don’t lay down and give in.

I watch him work, watch how he creates a painting of bright happy colours full of humour and social statements about the world in which we live from dark seemingly chaotic beginnings and wonder at the symbolism.

 Inspirational

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About Ellis Burgess

A number of people have said that ‘it’ (whatever ‘it’ is) is in Ellis’s genes and to some extent they may be correct. Her grandmother painted and so did her mother. Marge Barley started painting when she was 9 years old and achieved some acclaim in New Zealand. In turn, her mother, Ellis’s Grandmother started much later in life more from compulsion than conscious desire. Ten years ago a well-intentioned friend shoved a paintbrush into Ellis’s clenched fist, forcefully moving her hand between paint pot and paper until it moved of its own volition in a frenetic frenzy attended by a torrent of tears born of bewilderment and frustration, unaware of the wild colour patterning the fury within. Ellis’s mother had passed away three years earlier from Non-Hodgkin’s Lymphoma. From these inauspicious beginnings Ellis began to paint, and for a short time attended classes at the Hamilton Society of Arts in New Zealand. Seven years ago, Ellis and her husband moved to the Gold Coast where she met Stephen Buntrock of the Gold Coast Art School. With his encouragement, painting became more than just something to do. It became a passion. Another passion is dance. Ellis loves the musical synergy of movement, the human form working with rhythm mood and emotion, sensing the freedom as the dancer soars across the floor with effortless ease. Like a lot of little girls, she was sent off to ballet in a somewhat desperate attempt by her grandfather to stop her stomping around the house. Eleven years later Ellis was selected to dance with NZ Ballet Company in a season of the Nutcracker. Did Ellis stop stomping? No. Ballet was to be her life; that was until she met the man of her dreams. Never the less, ballet has featured in much of her adult life by way of teaching and outlets of involvement. Ellis quickly discovered another outlet was painting. She spent a long time pondering on the skill set required to achieve her vision; how to portray the artistry of movement, the musicality and rhythm of dance, and the genius of the human form on canvas. Attempting different techniques, she learnt she is not an illustrator, but a painter who gravitated towards free movement. In her quieter moments Ellis often wonders what her mother would say if she were still here, left only with her paintings languishing against the wall. As an apprentice in the art of painting Ellis hopes the path ahead will be clear, perhaps meander elegantly at her will. Maybe it will broaden out to a huge piazza where she may sit for a long while, then later choose the many paths that transverse the piazza or continue again down the main road.